This is all good to know. After checkin out footage/reviews from the 5.4mm I've noticed pros and cons. There's a drop in resolution from 12 mp to 10 mp. The zoomed in look is appealing because it gives a cinematic look at an equivalent of 35mm, however the naturally aspirated zoom does cause a fair amount of background jitter. So, even though I like the 35mm cinematic look, at times I wonder if it's zoomed in just a tad bit too far. So. If anyone decides to go with this lens , let's hope the gimbal 3drs working on is on par with the latest gimbal on the Phantom pro. Or better. Which I do believe the time effort, R&D, and delayed shipping behind it all is due to having the best result possible in mind. Because nobody wants to go through the effort of buying a new lens for a more cinematic look, and achieving it, only to find out that the gimbal they have to use doesn't prevent jitter infinitely requiring them to resort to post image stabilization of any kind. Nothings wrong with it but that's the ENTIRE purpose and point of the gimbal. The aperture isn't as open on the Pearu at 3.0 as it is on the Gopro at 2.8. So, it's not as good in low light situations but it settles the jello many suffer from without the need for an ND. In some situations. Due to the more closed aperture. However, while looking it up, I noticed that there are some other lens options out there for the Gopro you choose to use on your Solo. At the same time, some might ask why the need for a 35mm when the stock lens can produce aerial images like Northern Roads by Newman films. I say it's a great lens of the gimbal is going to be on point. Or you have the best software for post image stabilization. If not check out the other lenses available.![]()
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